Interview: Rosie & The Goldbug - the dark side of pop music
Friday, July 18, 2008
Credit: Found On Internet
“Back then we were very piano-orientated. We’re now more bass-and-drum-orientated,” says Rosie Vanier, she of the band’s name. She’s talking about when Music Towers first encountered her band, when they were the only real shining star at a lamentable corporate battle of the bands-type affair, where Music Towers described their performance as “vaudeville brand of gothic ephemera as a more than welcome change from the indie-boys-with-haircuts-and-guitars”.
“It’s a lot more focused around Pixie and Plums being in the band, with the piano riffs floating on top,” Rosie explains. “I was very restricted with the piano and it was a little bit boring - we realised we had to make an adjustment with the instrumentation. It’s a lot more ballsy and feisty, before it was quite melodic, and we were going for that really epic sound, whereas now it’s all about vibe and having a good time.”
Completed by drummer Sarah ‘Plums’ Morgan and Lee ‘Pixie’ Matthews, Rosie & The Goldbug formed in Cornwall, and along with pasties and Straw Dogs, they’re set to be the next thing to come out of the toecap of Britain that will get people talking. “ Cornwall is a beautiful place and there’s a lot of music going on down here, but it’s very different to London. London you can hop on the bus all the time, whereas down here you’ve got a little bit more time to explore and create your own thing and anything can happen. There’s a lot to be inspired by.
“It’s hard to say it without sounding derogatory, but I guess its sometimes a little bit ‘behind the times’ here,” Vanier mulls. “You make up whatever you want instead going with what’s ‘hot’. There’s a lot more freedom and a lot less restrictions.”
The promo video for ‘War Of The Roses (Because You Said So)’:
That experience has led to a series of songs that range from the dark-disco stomp of ’Heartbreak’ through to fragile ‘Springtime Dreaming’. If Katie Jane Garside stopped chasing garden sprites to front Dragonette for a night, then it could’ve resulted in the ‘War Of The Roses EP. But this hasn’t meant they haven’t taken a cosmopolitan approach to songwriters.
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